The Mobile Stationery Store


Katherine, 22, Ireland.

Visual Communications graduate.

This is just the logical online extension of my notebook collection and hoarder mentality.


I’m a screw up. And I plan to be a screw up until my late twenties, maybe even my early thirties.

(Source: girlwithapumpkintattoo)

nevver:

Give a fuck
All of this is typical girl-fear. Once you realize that The Exorcist is, essentially, the story of a 12-year-old who starts cussing, masturbating, and disobeying her mother—in other words, going through puberty—it becomes apparent to the feminist-minded viewer why two adult men are called in to slap her around for much of the third act. People are convinced that something spooky is going on with girls; that, once they reach a certain age, they lose their adorable innocence and start tapping into something powerful and forbidden. Little girls are sugar and spice, but women are just plain scary. And the moment a girl becomes a woman is the moment you fear her most. Which explains why the culture keeps telling this story.

Rookie, The Season of the Witch

For readings on the correlation in horror between puberty and the monstrous, see:

I will add Carol Clover’s Men, Women, and Chain Saws here, although she’s concerned more with identification, monstrous-feminine as men’s horror, and the maternal aspects of possession tales (including a section on possession as oral penetration). Although both Creed and Clover are important feminist horror theorists who work in Psychoanalytical lenses, Barbara Creed talks more about transformation than Carol Clover does. And transformation is key to horror movies about how women are terrifying.

For variations on a theme, watch Ginger Snaps, Carrie, and Teeth together.

(Bonus: here is Kristeva’s Powers of Horror: an Essay on Abjection for free online)

I’m 90000% sure I wrote the text below this but it doesn’t link to (probably ff) anywhere. it’s important to keep sources in posts so that you don’t disorient authors about their own pasts,

(via rgr-pop)

This is the post I’ve been wanting my entire life.

(via hariboo)

xo-skeleton:

Brigitte Niedermair, from Nature Morte: An Ode to the Savage Beauty of Caravaggio in CR Fashion Book Issue 3, 2013

xo-skeleton:

Brigitte Niedermair, from Nature Morte: An Ode to the Savage Beauty of Caravaggio in CR Fashion Book Issue 3, 2013

(Source: nuclearharvest)

phthal0:

Done by Julie Sarda. I love these all so much. They’re dark, but happy.

garfieldminusgarfield:

G-G the book - G-G on Facebook - G-G on Twitter

Making of Ookami Kodomo no Ame to Yuki (directed by Mamoru Hosoda)

(Source: crofesima)

(Source: red-lipstick)

nyctaeus:

Ben Frost, ‘Know Your Product’

Paintings on pharmaceutical packaging

hellabaka:

never stop dreaming

hellabaka:

never stop dreaming

alexrileyphotography:

This is my favourite photo from my trip up to Fort William, Scotland. I love the depth and strong convergent lines it has. I tried to do a series of creepy not functioning ski range photos while it was summer and cloudy but this is the only one than came out how I truly wanted. 

alexrileyphotography:

This is my favourite photo from my trip up to Fort William, Scotland. I love the depth and strong convergent lines it has. I tried to do a series of creepy not functioning ski range photos while it was summer and cloudy but this is the only one than came out how I truly wanted. 

stunningpicture:

This picture looks like it depicts a shipwreck but if you place a mirror in a certain spot it becomes a portrait of Jules Verne.

stunningpicture:

This picture looks like it depicts a shipwreck but if you place a mirror in a certain spot it becomes a portrait of Jules Verne.

(Source: ullathynell)

ratbashing:

this is the most important thing ill ever post and im like 100% sure its no where else on tumblr. (it’s the ending song from the nightman cometh)

(Source: cutienewt)

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